Last week on my Substack I wrote about how both Mick Jagger and Madonna are trapped in a rebellious image dated to the epochs when they were the "it" figures. Some of the inspiration came from things I've written on this site. This week I am planning on looking at the implications of what is happening in the House.
Writing last week's piece got me thinking about "legacy" musical artists who have actually managed to endure and flourish in old age. I've noticed some distinct approaches that I will name here.
The Dolly Parton Approach
Dolly has been a pop culture figure my entire life but I don't think she's ever been as revered as she is now. Lots of people who never seemed to like country music have a lot of affection for her. Beyond opening up to new musical styles and going with the times, her philanthropy has burnished her reputation. Turning yourself into a cultural figure rather than a musical artist seems to pay dividends, especially if it looks like you aren't trying that hard.
The Bob Dylan Approach
Dylan has kept touring consistently for decades, which I think has kept his music fresh. He's been willing to explore new avenues in ways that keep his fans invested while occasionally confounding them. Ever since he sloughed off the "voice of a generation tag" he's also not been interested in stardom. By not caring what people think he's avoided the trap of Madonna and Jagger, who seem painfully addicted to adulation.
The Smokey Robinson/Paul McCartney Approach
Keep playing, keep performing, keep your smile and good nature and keep making your fans happy while never getting too predictable or pretentious. This is the simple path and I don't know why more legacy don't do it.
The Tom Waits Approach
Put out a great album, take a step back, and say nothing. Don't officially "retire," just enjoy life out of the spotlight and people will talk and say "Are they going to ever put another album out?" and "Gee, I miss them." Waits never hurt his reputation by putting out lame records to support cashgrab tours and I respect that.
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