10. Tears for Fears, "Head Over Heels"
By 1985 the post-punk British explosion and all that new wave jazz had evolved (or devolved, depending on your perspective) into a group like Tears for Fears. Their music was very poppy, but still personal and lyrically more deep than the average top 40 fare. (That's probably the reason it made it onto the Donnie Darko soundtrack.) At the time I really liked it.
9. Sting, "Fortress Around Your Heart"
This is another song I really dug back in '85. People forget what a big deal Sting was at this point, his name iconic as the other one-name-wonders Madonna and Prince. His solo music was not even as close to being as good as The Police, but this song had a little magic in it. The grayscale video and vibe of the song reflected the renewed 80s Cold War situation. It's better than anything else Sting would manage in his solo career.
8. Mick Jagger and David Bowie, "Dancing In The Street"
Ohhhhhh boy. This song and video has now become shorthand for lameness. It was a song put together for charity, so I can't be too critical, but man, this is a classic case of being too big to be told no. The 80s butt rock behind this track is as obviously tacky as the color of Mick's shirt and the print of whatever the hell Bowie is wearing. At this point Bowie's momentum from "Let's Dance" had crashed and Jagger was inexplicably feuding with Keef and trying to pass himself off as a solo artist. If you ever want to show anyone how bad the 80s could be, just show them this.
7. Dire Straits, "Money For Nothing"
Here's a song in that genre new to the 80s: songs that became megahits due to their videos. Gather 'round, kiddos, and I will tell you of a time when the sub-screen saver animation of this video was a revelation to us oldsters. The song and video were so meta because they were also commentaries on the ubiquity of MTV. The use of the awful word "faggot" in this song, even in a satirical context makes it difficult to listen to these days. That word was still flung around with ubiquity back then, so much so that on the playground I had no clue that it was a very specific slur. As bad as shit is nowadays, I would never want to go back to 1985.
6. John Mellencamp, "Lonely Ol' Night"
Back in my rural Nebraska homeland growing up there was a holy trinity of contemporary rock music: Bruce Springsteen, Tom Petty, and John Mellencamp. The latter's rural Midwestern origins oozed through his music and really resonated with me. Even his minor hits got saturation airplay on local radio. This was one of my favorites, since it captured the feeling of being in a small town with no action and trying to find that spark of human connection.
5. Jan Hammer, "Miami Vice Theme"
Oh God did I love this song and this show. It was on Saturday night, so I could stay up late enough and watch it. It just made me feel so mature and cool just to be associated with it. The show also had one of the great all time opening credits sequences, which makes Miami look like the hippest place on earth, at least in 1985. The show and synthesizers were so cool in 1985 that its theme could make the top ten. Funny how what we thought was the future is now such an obvious relic of the past.
4. Ready For The World, "Oh Sheila"
I had totally forgotten about this song. The drum and synth sound is pure Prince. I even had to look up if this group was produced by him, but nope. It's a pretty clear version of "drive it like you stole it," but I think it still works.
3. Stevie Wonder, "Part-Time Lover"
This one is sultry and bouncy like a Hall and Oates song. It's a weird kind of thing where the man who originated the sound is imitating the people who imitated him. It's a decent pop song, but pretty lame compared to what Wonder was doing in the 70s. At least he's not embarrassing himself a la Jagger and Bowie.
2. Whitney Houston, "Saving All My Love For You"
I know it's not popular to say this, but Whitney Houston was one of the great wasted talents in musical history. She had an amazing voice, and would often use it in thrillingly creative and surprising ways. It was a shame that her voice was paired with consistently boring, insipid songs and arrangements. If only she had come up in the 60s and 70s, and not in the 80s, which was a dark decade for the poppier side of soul music.
1. a-ha, "Take On Me"
Oh boy, here it is. This right here just might be the most 80sed thing that ever 80sed. The keyboard hook alone makes this a true relic of its time. How in the hell did a Norwegian synth pop band hit the top of the charts? By making perhaps the most bitchin' emotional roller coaster of a video yet seen. Once MTV could take a band like a-ha to the top of the charts the mighty M was truly king. How long did that reign last? It's hard to say, but it as long as it did, it never captured the zeitgeist quite like in did in 1985.